Monday, April 13, 2015
Wednesday, April 1, 2015
As developed through her Instagram, ____________ uses this social media platform to convey her adventurous and multifaceted persona. At first glance, ________'s biography demonstrates her academic drive as it states, "Stanford Class of 2018". However, this bio does not fully capture her interests and personality. Through pictures and videos, it is easy to recognize _______'s love for dancing. She is on a dance team at the school and blends this influence with her other interests like global health in her photo from the Stanford Dance Marathon. No two photos of _____'s are the same. She is seen hanging with kangaroos, paddle boarding, and enjoying the Palo Alto sun with her friends to name a few photos. Through her Instagram, she displays a very joyful and adaptable personality.
Fb
_____ (ß blank space baby) conveys an air of light-hearted professionalism on her Facebook profile. Clearly intelligent, _____ frequently posts (never using profanities) about how her pre-med major poses a surmountable challenge. Not afraid to show her light-hearted side, _____ shares comedic photos and memes to her friends on Facebook. _____ doesn't just devote her time to trivialities, and often reposts messages from charitable organisations and interest groups. _______ has an eclectic range of artistic interests, from classical music to our very own Taylor Swift.
The image that _____is trying to get across to the readers of her blog is presented immediately. It is not obscure or in the depths of the blog, but rather in the title of the blog itself. Right beneath the title, she included the line "enlightenment and entertainment by the dumb teenager for the dumb teenager". Automatically people should have a basic idea of what to expect. This is a teenage girl who acknowledges the adult perception of teenagers and decides to go with it. Clearly, she is not a dumb teenager, as presented by the blog. She is a teenager though, which she goes through some lengths to show. She presents the two sides of herself: the social teenager and the deep thinker. She is a college student—a Stanford one at that—and that is really the balance students want to maintain. For example, she has a post about her thoughts while reading Pride and Prejudice. This is a book that is common enough that if she talked about reading it, she would not come off as pretentious, but it is still a literary classic. In the ramble, she balances between some genuine, analytical thoughts and then some very "teenager-like" thoughts—the summary section at the bottom namely. It creates the "ideal" balance of a teenager and a student that people expect.
Profile Analysis
In his presence on Facebook, with 160 hometown friends, at least 110 college friends, and over 500 total friends looking on, _________ cleverly uses his profile to represent his standing as a potentially professional stage performer. In preparation for such a public career, it is easy to see why ________ would so cleverly market himself from the start in such an appealing way. From his photos to his interests, _______ comes off as just the friendly, but slightly ambiguous performer one would look for. His cover photo, depicting him taking control of the stage in full costume, is just one of many performance pictures he showcases on his profile. These include him playing parts such as a king, a gentleman, and the infamous Stefon from Saturday Night Live. His profile picture is also evidence of his competence, depicting ______ in front of a large star, putting in the minds of those watching, how he may one day be the star. His additional information is short and to the point, but his TV show and film preferences are extensive and fun to see. _______ tells us only the basic information we need to know as future fans and is using incredible foresight to predict what he will want the public to know in the future. Each bright and cheerful picture reminds us of his presence and potential and his concise information reminds us he is a celebrity waiting to happen.
__________ uses social media to express her personality and interests. Most of her Facebook photos are of her with friends and family—I noticed that she is rarely by herself in any of them. This gives me the impression that she is family and friend oriented. Also, other people made most of the posts on her wall. With 759 friends, I get the impression that she is selective in who she allows to view her personal profile. Furthermore, she uses photos, likes, and posts to describe who she is rather than explicitly stating it in her "about" section. With respect to her interests, she is a member of groups that have to do with social issues, such as marriage equality and teacher rights. Also, several of the movies, music, books, etc. that she likes are similar to those that are commonly liked by people her age, which makes it easier to relate to her. _________ does not share personal details on social media; instead, she tells the viewer more about herself through photos and posts, and allows the viewer to interpret them as they wish. _________decides what she wants her Facebook friends to know about her, and with that, she creatively uses her profile to make the statement: "This is me."
Profile Analysis
" " 's profile demonstrates himself as a quiet, talented, and cultured student. Immediately, one can tell this by his Twitter profile picture, where he is speaking at his high school graduation. Someone looking at a cursory glance can tell he is a high-achieving student. In his description, he even says "I'm a quiet guy." His retweets include new music from Kendrick Llamar, Kanye and more music from the R &B/ rap scene. He also shows interests in basketball through retweets of SportsCenter posts about basketball players. He also shows visual rhetoric through he's tweet of his acapella group at Stanford performing some holiday songs. Most noticeably, he demonstrates that he especially is passionate about black rights and equality. He retweets political comments about the Ferguson riots and police brutality, as well as showing support for the Stanford69 protests. " " does not tweet his own messages often, but when he does it's to post something he really finds interesting and important. With this Twitter profile, I see that " " is a humble and intelligent student who is interested in equal rights and social change.
Swaggy P
Writing Exercise
Mystery Profile
____'s overarching claim throughout her Facebook profile is that she is a hardworking student at an elite university who has taken on a large course load. She makes textual claims through her posts, two of which read: "When I started college, I had a lot of hopes and dreams. Now that I am on my third quarter, my only two dreams are to be able to draw a perfect hexagon in Organic Chemistry and a nice bracket in Linear Algebra," and, simply put: "College is hard." These textual claims argue to ____'s audience, her Facebook friends, that she is respectable and ambitious for taking on such a demanding workload, though she may struggle. In her Freshman Year photo album, entitled, "Stanford: Year One," ____ shares photos of her studying with friends, photos within her dorm, and photos of classic Stanford landmarks such as Memorial Church. These are all visual claims that promote the "elite college student" image of ____ that she argues in her posts.
____ further extends this argument by promoting her interests in science fiction literature. She shares links to blog posts about one particular series, "Eragon," including two entitled "19 Signs You're Still Obsessed With Eragon" and "Reboot the Eragon/Inheritance Cycle Film Franchise." She consistently tags her friend Carolyn Kravitz in these public posts, which suggests that ____ is not ashamed to make public her passion for this particular series. Though not all of her Facebook friends may have the same interest, her making her interactions surrounding Eragon with Carolyn public rather than private is an argument for her unabashed, headstrong, nerdi-ness. :)
First Week Meeting 2
Monday, January 26, 2015
Alice
Chase Russell - passage
My preliminary research indicates that Wordsworth's writing (the content, method, and audience of his writing) actually undermines what he claims his poetic goals to be. For example, he wrote about "common," "rural" people of the country, but to city-dwellers. In fact, he inadvertently specifies his audience as high-class city-dwellers and refers to the urban masses as "them." If the goal of his writing is to restore the more sensitive faculties of human imagination, why does he not address those who, according to him, would need it most? In this sense, it seems that Wordsworth is actually increasing the schism between classes and people groups in England, rather than unifying "the vast empire of society, as it is spread over the whole earth, and over all time." His poetry seems to take on a quite snobbish and empty tone when this context this understood.
"A rogue, after all, may be as self-possessed as a hero and be nonetheless a rogue"
The female hero or heroine is unable to be a classical "hero" of the novel, like their male predecessors. For them, to be a true hero instead of a heroine, they must be classified as a rogue. Their sheer femaleness denies them a blemishless heroism, and puts them in a subcategory blighted by mistakes and audaciousness. Their sex categorizes them as being "self-possessed as a hero and be nonetheless a rogue". What then causes this distinction between the hero and rogue, if they both are linked by "self-possession"? Emma and Rebecca both have this in abundance, and are chosen by their respective authors as the primary character of their own novels. Why are they then considered rogue-like by their contemporaries? Is it because women are not granted the typical tools of the hero, and must use sexuality and manipulation to achieve their aims, which their predecessors have achieved by shield and sword?
John Hagen's response might be that it is the self-interest of the characters portrayed, rather than their sex, which makes them rogues. It also depends on how we define the hero, if it is a "blemishless hero" of the two-dimensional kind, then Rebecca and Emma will inevitably fall short. Though if the hero is simply the self-possessed protagonist, then the argument could be supported that female heroes are subject to harsher criticism because of the weapons their have in their arsenal. Why do their own authors undercut them? The heroines are brought to book as coined by Hagen, and why is this necessary?
Susan Lee Johnson's chapter titled "A Memory Sweet to Soldiers: The Significance of Gender in the History of the 'American West'" discusses the transformation the heroin undergoes in late-nineteenth-century literature. She becomes very masculine, or in Johnson's words, a "cross-dressing hunk of a girl who could shoot from the hip like a man." This is an interesting choice of words because it raises the question of exactly how a woman's identity changes/adapts in the American West. Must she become masculine in order to survive or can she recreate herself in a rougher but still feminine persona?
Friday, January 23, 2015
Melodrama and employment-themed reality television
Narrator: The economy is going through tough times. Many hardworking Americans blame wealthy CEOs out of touch with what's going on in their own companies. But some bosses are willing to take EXTREME action to make their business better.
(Undercover Boss, season 1)
This syntactically awkward opening statement—"the economy is going through tough times"—mirrors the work of the show. It personifies the economy, suggesting that the national or even global economy is yet another individual enduring temporary hardship. This personification, which demonstrates what Hadley identifies as melodrama's "tendency to personify the absolutes like good and evil," (22) minimizes the global recession. It is significant that the word "recession" is not used. At the same time, the indirectness of this statement makes the argument that there is no responsible actor here. The next line, "Many hardworking Americans blame wealthy CEOs," hints that the series may take hard workers, the heroes of old melodrama, as protagonists. The rhetorically excessive statement that follows, however, announces that it is the CEO, not the worker, who will be the hero: "some bosses are willing to take EXTREME action."